{"version":"1.0","provider_name":"Rainbow Dash Network","provider_url":"http:\/\/rainbowdash.net\/","type":"link","title":"Gherkin \u2611\ufe0f (thelastgherkin)'s status on Thursday, 11-Aug-11 21:18:28 UTC","author_name":"Gherkin \u2611\ufe0f (thelastgherkin)","author_url":"http:\/\/rainbowdash.net\/thelastgherkin","url":"http:\/\/rainbowdash.net\/notice\/382785","html":"@<span class=\"vcard\"><a href=\"http:\/\/rainbowdash.net\/user\/7\" class=\"url\" title=\"A Lad.\"><span class=\"fn nickname\">rotation<\/span><\/a><\/span> @<span class=\"vcard\"><a href=\"http:\/\/rainbowdash.net\/user\/7\" class=\"url\" title=\"A Lad.\"><span class=\"fn nickname\">rotation<\/span><\/a><\/span> It took me 17 minutes to find it in Russell T Davies' book, but there was a scene in the &quot;Voyage of the Damned&quot; script that Benji Cook sums up better than I do: &quot;My favourite stage direction so far is: 'STUNT as a HANDSOME MAN falls off the balcony, plunges down.'  You introduce and kill off a man in the very same line, but make him handsome - what, to rubit in?  Poor Handsome.&quot; #<span class=\"tag\"><a href=\"http:\/\/rainbowdash.net\/tag\/doctorwho\" rel=\"tag\">DoctorWho<\/a><\/span>"}